reference
a working list of references.
Acconci, “Theme Song,” 1973, http://www.ubu.com/film/acconci_theme.html
Antin, “Television, Video’s Frightful Parent” ArtForum, 1974.
Augé, Non-Places, An Introduction to Supermodernity, trans. John Howe, Verso, 1995.
Bauldrillard, Simulacra and Simulation, trans. Sheila Faria Glaser, University of Michigan, 1994.
Bergson, Mind Energy, New York: Henry Holt & Company, 1920.
Burchard, “It’s Not What You Put In, It’s What You Leave Out,” Aspen, Roaring Fork Press, NYC, 2: item 7, 1966.
Communicationsphere, TV to TV, December 14, 1979.
Communicationsphere, “Aldo Tambellini Retrospective,” DVD, 2007.
d’Agostino and Muntadas, The Unnecessary Image, Tanam Press, 1982.
d’Agostino and Tafler, Transmission, Towards a Post-Television Culture, Sage Publications, Inc., 1995.
Deleuze,”The Actual and The Virtual,” Dialogues, 1977.
Deleuze, Bergsonism, trans. Hugh Tomlinson and Barbara Habberjam, New York: Zone Books, 1988.
Deleuze, Cinema 2: The Time Image, trans. Hugh Tomlinson and Robert Galeta, Minneapolis: University of Minnesota Press, 1989.
Deleuze, Difference and Repetition, trans. Paul Patton, New York: Columbia University Press, 1994.
Deleuze and Guattari, “On Several Regimes of Signs,” A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi, Minneapolis: University of Minnesota Press, 111-148, 1987.
Derrida, Echographies of Television, trans. Jennifer Bajorek, Polity Press, 2002.
Flam, Robert Smithson: The Collected Writings, University of California Press, Berkeley and Los Angeles, CA, 1996.
Gebser, The Ever-Present Origin, trans. Noel Barstad and Algis Mickunas, Ohio University Press, 1985.
Hawking, A Brief History of Time, edition 10, Bantam Books, New York, NY, 1996.
Kaku, Parallel Worlds, Penguin, 2005.
Lacan, “Television,” October, 40: 1987.
Lacan, “The Other is Missing,” October, 40: 1987.
McLuhan, “The Medium is the Message,” 1962-4.
Muntadas, “On Translation: Açik Radio” 2010, http://www.archive.org/details/On_translationAcik_radyo
Nora and Minc, The Computerization of Society, MIT Press, Cambridge, MA, 1981.
Parr, The Deleuze Dictionary, Edinburgh University Press, 2005.
Piene & Tambellini, Black Gate, Cologne 1968.
Poncé, Kabbalah, Straight Arrow Books, 1973.
Rubin, “Parasocial Interaction,” 1987.
Shanken, “From Cybernetics to Telematics: The Art, Pedagogy, and Theory of Roy Ascott,” forthcoming in Roy Ascott, Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness, University of California Press, 2001.
Valenti, “TV As Video): A Creative Medium,” TV/Arts/TV, Barcelona, 2010.
Wallace, Infinite Jest, Little Brown and Company, 1996.
Wallace, Oblivion, Back Bay Books, New York, 2004.
Weiner, Cybernetics or Control and Communication in the Animal and the Machine, Massachusetts Institute of Technology, Cambridge, MA, 1965.
Wronoski and Hatry, Aldo Tambellini / Black IS, Pierre Menard Gallery, Cambridge, MA, 2010.
Youngblood, Expanded Cinema, P. Dutton & Co, Inc, New York, 1970.
Žižek, Žižek! Zeitgeist Films, 2005.
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